Big Al Whittle

Grantham Days 1967-71
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On Raglan Road by Patrick Kavanagh
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George Joseph Smith
songs about my childhood in Boston Lincs plus Wyatt Earp and my Dad
Grantham Days 1967-71
Tamworth Days (1973-9)
The Ballad of John Silver
Skegness
Witham and Blues - the album
Buster the Line dancing Dawg Page
The Owl Song
Waiting - a song from a poem by Mary De Ville, and some other poems by Mary
Trad songs
The Battle of Bosworth Field by Dick Miles
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Woven Wheat and Downloads
Message about the guestbook
The Day Delaney's Donkey had sex with The Pope
Message to Anita

Play a song called Trish

My parents were very keen that I should have an education, and some security in life.
 
I was far too dim and lacking in application to get the qualifications necessary for university entrance.  Not clued up enough to know about polytechnics.  So I entered Teacher Training College.
 
I don't know if I was actually the worst teacher in history, but I can't recall any class of children paying any attention to me. 
 
Anyway whilst I was at college I fell deeply in love with a girl called Trish Spencer.   Trish wanted nothing to do with me as a boyfriend, but kept me as a close adoring friend  She was ( I thought) quite dazzlingly beautiful, and had loads of blokes chasing after her.  Must have been quite an ego trip for her. Years later I exorcised her ghost by writing this song.
 
From the rueful looks that I get and smiles of recognition when I perform this song - I think there were probably quite a few ladies with the same parlour trick.
 
When I was a kid at Leighton Park School in Reading,   my posh middle class friends had nearly all visited Les Cousins folk club in Greek Street, Soho - they had seen guys like Donovan, Paul Simon and Bert Jansch
 
By the time I got to college, I was aching to go there.When I started visiting Cousins as a college student - the star turns were ragtime guitarists - people like Ralph McTell and Stefan Grossman. Usually with a couple of trusty friends we would hitch up to London down the A1 on a Friday night - about 100 miles. We'd catch the 7-11.30 show.   Then walk round London all night and all the next day, until Cousins opened its doors again at 7pm.  From midnight there was an all night session til 6am.
 
We slept in National Porttrait Gallery, or went endlessly round the circle line on the tube, trying to sleep a little.
 
Nearly everybody assumed we were there to get out of our heads on drugs. I don't say we weren't quite stupid enough to do that - if we'd ever been offered drugs there.  However  - the intoxication was more to do with being near something important happening.  Personally I hoped by some kind of osmosis, I would become an artist like the fabulous musicians that I saw there - people like Wizz Jones, Davy Graham, Ralph McTell, Stefan Grossman, Al Stewart, Spider John Koerner and Derek Brimstone.
 
After three years of the staff at the Kesteven College of Education begging me every day to reconsider my choice of career, they made one last bid to safeguard the children of England by failing me on my final teaching practice. A lifetime of rejection by the English folkscene has been relatively easy to handle after such an education.
 

Play a song called Ragtime Blues Gu

denise1968.jpg

By this time I was in love with Denise a fellow student at KCE and we were living together, so I got a job at Aveling Barford's Dumper Truck Factory, as a stock clerk - and hung around another year to take my final teaching practice again.
 
This song is an elegaic piece for everything I lost in those years:  much self respect and the optimism of youth. Only ragtime has this sort of sepia perspective, which preserves the hard edges of experience, whilst we glimpse through a glass darkly what we once were, and eventually forgive ourselves. One other writer who has realised this potential in ragtime,  is  Randy Newman.

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